A presentation of the project Translate Real Estate will take place as an exhibition in New York in the summer.
Nov 2022
Conversation about What is Research? has been recorded by Semi Hwang.
Aug 2022
What is Research? edited by Peter N. Miller has been published.
Personal Copy
Writing Excerpt
(...)
I’ve been trained within the world of design, art, and publishing, but I try to unravel what is not allowed within the system while focusing on the personal and individual nature of my utterance position. Design work can have subjectivity, interpretation, intervention, and adaption. In other words, I am responding to the inconsistencies between an organizational structure like the grid and the image of the sky.
Therefore when I approach the discrepancy between the grid and the sky, I can't help but bring my associations between them. Furthermore, these stairs also changed my status upon closer inspection with scale shifts, making them animated and cartoon-like. The discrepancy ultimately reveals information that has yet another status as an image and requires yet another reading from the viewer.
This elucidates a variety of diverse differences in readership and the fundamental infrastructure by which we access information. It remains vestiges and restores labor. Everything was rigorously mediated as a strategy, method, and subject, but this entails bodies, movements, and fiction. I respond with flat, dry, detailed, reliable data about the hierarchy.
I am now firmly on the ground again, coming back from an invisible bias. By having to identify unequal or hierarchical discrepancies, I prefer that incomplete material itself becomes archival. All my practice is to think slowly of matter as vibrant, live, active, or moving.6 With my graphic design practice, I believe personal narrative naturally leads to public discourse.
I’ve been trained within the world of design, art, and publishing, but I try to unravel what is not allowed within the system while focusing on the personal and individual nature of my utterance position. Design work can have subjectivity, interpretation, intervention, and adaption. In other words, I am responding to the inconsistencies between an organizational structure like the grid and the image of the sky.
Therefore when I approach the discrepancy between the grid and the sky, I can't help but bring my associations between them. Furthermore, these stairs also changed my status upon closer inspection with scale shifts, making them animated and cartoon-like. The discrepancy ultimately reveals information that has yet another status as an image and requires yet another reading from the viewer.
This elucidates a variety of diverse differences in readership and the fundamental infrastructure by which we access information. It remains vestiges and restores labor. Everything was rigorously mediated as a strategy, method, and subject, but this entails bodies, movements, and fiction. I respond with flat, dry, detailed, reliable data about the hierarchy.
I am now firmly on the ground again, coming back from an invisible bias. By having to identify unequal or hierarchical discrepancies, I prefer that incomplete material itself becomes archival. All my practice is to think slowly of matter as vibrant, live, active, or moving.6 With my graphic design practice, I believe personal narrative naturally leads to public discourse.
Photo Documentation


Credits
Year
2023
Discipline(s)
Installation, Publication, Website
Medium
Vinyl sheet, Offset lithography
Dimensions
3 × m
200 × 290 mm, 176 pages,
20 edition
Dimensions variable
2023
Discipline(s)
Installation, Publication, Website
Medium
Vinyl sheet, Offset lithography
Dimensions
3 × m
200 × 290 mm, 176 pages,
20 edition
Dimensions variable
Program
As they made their way out,
Green Hall Gallery, Yale School of Art, New Haven, CT
29 Apr - 2 May
As they made their way out,
Green Hall Gallery, Yale School of Art, New Haven, CT
29 Apr - 2 May